Kelcy Taratoa (b. 1972. Ngāi Te Rangi / Ngāti Ranginui / Ngāti Raukawa) is a New Zealand painter. His works are vivid, hard-edged, and graphic. Taratoa’s formative years were divided between small town Levin, and west coast city New Plymouth. In 1990 he relocated to Palmerston North to undertake trade training, and later in 1998 commenced his tertiary training at Massey University, graduating in 2005 with a Master of Māori Visual Arts. He is currently based in Tauranga.

Whilst cultural identity, popular culture, technology, and science fiction have been source material for his highly political and at times deeply personal works, 2019 revealed a shift in Taratoa’s practice into the conceptual and abstract territory of Māori customary art forms. 

Taratoa has exhibited widely throughout New Zealand, and his works are included in both private and public collections, in New Zealand and overseas. Recent solo exhibitions and projects have included "Whakatakina Te Waiwhetū"  and "Te Tāhū o ngā Maunga Tūmatakahuki" both commisioned by Christchurch Art Gallery Te Puna Toi o Waiwhetu, New Zealand (2020); "Who am I? Episode 001 First Suvey", Tauranga Art Gallery (2019); "We Like Catching Fish", Mangere Arts Centre (2016).  His work was included in "Toi Tū Toi Ora: Contemporary Māori Art" at the Auckland Art Gallery in late 2020.  This was the largest exhibition in the 132-year history of Auckland Art Gallery Toi o Tāmaki.